School of Humanities, Arts, and Social Sciences welcomes six new faculty for 2026

The MIT School of Humanities, Arts, and Social Sciences (SHASS) and Dean Agustín Rayo recently welcomed six new professors to the MIT community. They arrive with diverse backgrounds and vast knowledge in their areas of research.

Grisha Coleman is a full professor in the Music and Theater Arts Section. Her research explores tensions between our physiological, technological, and ecological systems; human movement, our machines, and the places we inhabit. Her practice engages an interdisciplinary approach to these explorations. Coleman received the Doris Duke Foundation’s Performing Arts Technologies Lab Award. Her work has been supported by Carnegie Mellon University’s STUDIO for Creative Inquiry, Creative Capital, the Jerome Foundation, MacDowell, the MAP Fund, the National Endowment for the Arts, the New York Foundation for the Arts, Pioneer Works, the Rockefeller Foundation Bellagio Center, Stanford University’s Mohr Visiting Artist program, and the Surdna Foundation. Coleman was previously a professor at Northeastern University and an associate professor at Arizona State University. She earned an MFA in music composition and integrated media from California Institute of the Arts.

Tung-Hui Hu is an associate professor with tenure in the Comparative Media Studies/Writing program. A poet and a scholar of digital media, he is the author of five books, most recently “Digital Lethargy: Dispatches from an Age of Disconnection” (MIT Press, 2022), “A Prehistory of the Cloud” (MIT Press, 2015), and “Greenhouses, Lighthouses” (Copper Canyon Press, 2013). Hu is interested in how concepts such as race and normal language became measurable, governable objects in the form of datasets. His research on data centers, artificial intelligence, burnout, and visual art has been featured in places such as CBS News, BBC Radio 4, WIRED, and MoMA R&D. He has been awarded fellowships from the American Academy in Rome, the National Endowment for the Arts, and the American Academy in Berlin. Prior to joining MIT, he was a faculty member at the University of Michigan.

Claire Luchette is an assistant professor in the Comparative Media Studies/Writing program. Luchette is the author of the novel “Agatha of Little Neon.” The winner of a Whiting Award and a National Book Foundation 5 Under 35 Honoree, Luchette has received fellowships from the Harvard Radcliffe Institute, the New York Public Library's Cullman Center for Scholars and Writers, MacDowell, Yaddo, and the National Endowment for the Arts. Their writing appears in Best American Short Stories, Ploughshares, and the Pushcart Prize anthology. Their second novel, “Swans,” and a story collection, “Big Whoop,” are forthcoming.

Shota Momma is an associate professor in the Department of Linguistics and Philosophy. Momma is a specialist in psycholinguistics and its interaction with linguistic theory — with a particular focus on the mechanisms of sentence production. Previously, Momma taught as an assistant professor at the University of Massachusetts Amherst. He earned a PhD in linguistics from the University of Maryland and completed a postdoctoral fellowship at the University of California San Diego. 

Lindsey Raymond PhD ’24 is an assistant professor in the Department of Economics, holding an MIT Schwarzman College of Computing shared position with the Department of Electrical Engineering and Computer Science. Her research examines how new technologies shape labor markets and market competition, and how insights from economics can inform algorithm design. She is a Schmidt Sciences AI2050 Early Career Fellow and served as a staff economist at the White House Council of Economic Advisers in 2021–22. Before joining MIT, Raymond was a postdoc at Microsoft Research. She earned her PhD from MIT and her BA from Yale University.

Makoto Harris Takao is the Class of 1957 Career Development Professor in the Music and Theater Arts Section. Working at the intersection of cultural history, religious studies, and musicology, Takao maps Japan’s entanglement with other world regions over the past 500 years. His current book project, “The Clef and the Cross: Music and Kirishitan Transculturation in Sixteenth-Century Japan,” asks what early modern Japanese Catholicism sounded like and how it was understood and expressed through Buddhist frameworks of sound, music, and movement. His work to date has appeared in such venues as Early Music, Journal of Music History Pedagogy, Journal of Religious History, Journal of Jesuit Studies, Zeithistorische Forschungen, and Oxford Bibliographies in Music. A player of the viola da gamba, Takao completed a joint PhD in history and musicology at the University of Western Australia. Before joining MIT, he was an assistant professor of musicology at the University of Illinois at Urbana-Champaign.

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